{"id":8540451209444,"title":"Doulton Burslem Faience | Pinder Bourne charger | Christmas with the Guild | Mr Chairman and Gentleman after Henry Stacy Marks RA signed to rear by Lizzie Haughton c.1881 - 1883","handle":"doulton-burslem-faience-pinder-bourne-charger-christmas-with-the-guild-mr-chairman-and-gentleman-after-henry-stacy-marks-ra-signed-to-rear-by-lizzie-haughton-c-1881-1883","description":"\u003cp\u003eDoulton Burslem Faience \u003cbr\u003ePinder Bourne charger \u003cbr\u003e\u003cbr\u003eentitled Christmas with the Guild | Mr Chairman and Gentleman , I - after Henry Stacy Marks RA signed to rear by Lizzie Haughton c.1881 - 1883\u003cbr\u003e\u003cbr\u003eApprox 39cms (15 1\/2\") wide\u003cbr\u003e\u003cbr\u003eIn excellent condition\u003cbr\u003eGUARANTEED free from damage and repair\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout Henry Stacy Marks\u003c\/strong\u003e\u003cbr\u003eHenry Stacy Marks RA (13 September 1829 – 9 January 1898) was a British artist who took a particular interest in Shakespearean and medieval themes in his early career and later in decorative art depicting birds and ornithology as well as landscapes. Most of his early works were oils but he also worked on murals and with watercolours. He was a founding member of the St John's Wood Clique and was well known for his humorous performances. HS Marks first exhibited at the Royal Academy in 1853, painting a scene from Shakespeare's Much Ado about Nothing: Dogberry Examining Conrad and Borachio. His works during the 1850s and 1860s were predominantly based on Shakespeare's plays and depicted medieval scenes.\u003cbr\u003e\u003cbr\u003eThe Victoria and Albert Museum holds three of Marks' finished watercolour studies of birds and eleven sketches for larger paintings. Some of his works are exhibited in the Parrot House of Eaton Hall.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout the relationship between Pinder Bourne and Doulton and Co\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eThomas Pinder operated from the Swan Bank Works from 1848 and the Fountain Place Works from c.1852 - in 1851 he was joined by two partners and they operated as Pinder, Bourne and Hope (Thomas Pinder, Joseph Harvey Bourne, John Hope).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eIn 1860 they moved to the already existing Nile Street Works (Burslem) - manufacturing Earthenware. In 1862 Mr. Hope left the partnership and stayed at the Fountain Place Works - the Nile street works continued as Pinder, Bourne \u0026amp; Co.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eIn 1877 the business and works of Pinder, Bourne \u0026amp; Co were purchased by Henry Doulton of the Lambeth (London) Pottery company Doulton \u0026amp; Co. \u003c\/span\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eln 1877 Henry Doulton was knighted, a few years later he was awarded the Albert Medal by the Royal Society of Arts.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eThe name of Pinder, Bourne \u0026amp; Co. continued to be used until 1882 when it became Doulton \u0026amp; Co. Ltd. \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eThis piece has an impressed date on the rear 9 - 81 (September 1891) and the artist monogram for Lizzie Haughton who worked for Doulton c.1881 - 1883.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003e\u003cstrong\u003eThis charger would have been (using it's impressed marks as a guide on the rear which is 9 - 81) one of the last Pinder, Bourne \"blanks\" that were decorated by Doulton. This is confirmed by the artist monogram which appears at page 317, The Doulton Lambeth Wares by Eyles \u0026amp; Irvine\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2024-11-16T06:00:07+10:00","created_at":"2024-11-11T16:46:56+10:00","vendor":"Royal Doulton","type":"Charger","tags":["16_November","Antique","handpainted","November_2024"],"price":125000,"price_min":125000,"price_max":125000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45772148572388,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"242501262C","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Doulton Burslem Faience | Pinder Bourne charger | Christmas with the Guild | Mr Chairman and Gentleman after Henry Stacy Marks RA signed to rear by Lizzie Haughton c.1881 - 1883","public_title":null,"options":["Default Title"],"price":125000,"weight":3000,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/pindner_charger_1a.jpg?v=1731307551","\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/pindner_charger_1b.jpg?v=1731307550","\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/pindner_charger_1c.jpg?v=1731307551","\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/pindner_charger_1d.jpg?v=1731307550","\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/pindner_charger_1e.jpg?v=1731307550"],"featured_image":"\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/pindner_charger_1a.jpg?v=1731307551","options":["Title"],"media":[{"alt":"Doulton Burslem Faience | Pinder Bourne charger | Christmas with the Guild | Mr Chairman and Gentleman after Henry Stacy Marks RA signed to rear by Lizzie Haughton c.1881 - 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after Henry Stacy Marks RA signed to rear by Lizzie Haughton c.1881 - 1883\u003cbr\u003e\u003cbr\u003eApprox 39cms (15 1\/2\") wide\u003cbr\u003e\u003cbr\u003eIn excellent condition\u003cbr\u003eGUARANTEED free from damage and repair\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout Henry Stacy Marks\u003c\/strong\u003e\u003cbr\u003eHenry Stacy Marks RA (13 September 1829 – 9 January 1898) was a British artist who took a particular interest in Shakespearean and medieval themes in his early career and later in decorative art depicting birds and ornithology as well as landscapes. Most of his early works were oils but he also worked on murals and with watercolours. He was a founding member of the St John's Wood Clique and was well known for his humorous performances. HS Marks first exhibited at the Royal Academy in 1853, painting a scene from Shakespeare's Much Ado about Nothing: Dogberry Examining Conrad and Borachio. His works during the 1850s and 1860s were predominantly based on Shakespeare's plays and depicted medieval scenes.\u003cbr\u003e\u003cbr\u003eThe Victoria and Albert Museum holds three of Marks' finished watercolour studies of birds and eleven sketches for larger paintings. Some of his works are exhibited in the Parrot House of Eaton Hall.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout the relationship between Pinder Bourne and Doulton and Co\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eThomas Pinder operated from the Swan Bank Works from 1848 and the Fountain Place Works from c.1852 - in 1851 he was joined by two partners and they operated as Pinder, Bourne and Hope (Thomas Pinder, Joseph Harvey Bourne, John Hope).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eIn 1860 they moved to the already existing Nile Street Works (Burslem) - manufacturing Earthenware. In 1862 Mr. Hope left the partnership and stayed at the Fountain Place Works - the Nile street works continued as Pinder, Bourne \u0026amp; Co.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp align=\"left\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eIn 1877 the business and works of Pinder, Bourne \u0026amp; Co were purchased by Henry Doulton of the Lambeth (London) Pottery company Doulton \u0026amp; Co. \u003c\/span\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eln 1877 Henry Doulton was knighted, a few years later he was awarded the Albert Medal by the Royal Society of Arts.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eThe name of Pinder, Bourne \u0026amp; Co. continued to be used until 1882 when it became Doulton \u0026amp; Co. Ltd. \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eThis piece has an impressed date on the rear 9 - 81 (September 1891) and the artist monogram for Lizzie Haughton who worked for Doulton c.1881 - 1883.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003e\u003cstrong\u003eThis charger would have been (using it's impressed marks as a guide on the rear which is 9 - 81) one of the last Pinder, Bourne \"blanks\" that were decorated by Doulton. This is confirmed by the artist monogram which appears at page 317, The Doulton Lambeth Wares by Eyles \u0026amp; Irvine\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e"}