{"id":8603636269284,"title":"Enamel on Tin | Framed | copy of work by Maurice de Vlaminck","handle":"enamel-on-tin-framed-copy-of-work-by-maurice-de-vlaminck","description":"\u003cp\u003eEnamel Artwork on Tin | Framed \u003cbr\u003ecopy of work by Maurice de Vlaminck\u003cbr\u003e\u003cbr\u003eThis enamel has been framed in a traditional ebonised wooden frame [that matches the piece] The frame has sustained some damage but has been tastefully repaired and will display well on your wall as it is. The Enamel itself is in excellent condition.\u003cbr\u003e\u003cbr\u003eApprox 38cms (15\") wide [frame]\u003cbr\u003eApprox 33cms (13\") tall [frame]\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEnamel is 24cms (9 1\/2\") wide and 19cms (7 1\/2\") tall\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Maurice de Vlaminck\u003c\/strong\u003e\u003cbr\u003eMaurice de Vlaminck (4 April 1876 - 11 October 1958) was a French painter. Along with André Derain and Henri Matisse, he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour. Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905.\u003c\/p\u003e\n\u003cp\u003eHe began painting in his late teens. In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou. In 1894 he married Suzanne Berly. The turning point in his life was a chance meeting on the train to Paris towards the end of his stint in the army. Vlaminck, then 23 and already active in anarchist circles in Paris, met an aspiring artist, André Derain, with whom he struck up a lifelong friendship.\u003c\/p\u003e\n\u003cp\u003eVlaminck participated in the controversial 1905 Salon d'Automne exhibition. After viewing the boldly colored canvases of Vlaminck, Henri Matisse, André Derain, Albert Marquet, Kees van Dongen, Charles Camoin, and Jean Puy, the art critic Louis Vauxcelles disparaged the painters as \"fauves\" (wild beasts), thus giving their movement the name by which it became known Fauvism.\u003c\/p\u003e\n\u003cp\u003eVlaminck's compositions show familiarity with the Impressionists, several of whom had painted in the same area in the 1870s and 1880s. After visiting a Van Gogh exhibit, he declared that he \"loved Van Gogh that day more than my own father\". From 1908 his palette grew maybe more deep and rich in colour, and the predominant influence was that of Cézanne. His later work displayed a darker palette, punctuated by heavy strokes of impasto contrasting with subtle blending and vibrant colour temperature relations.\u003c\/p\u003e\n\u003cp\u003eSome of his works are held at the Minneapolis Institute of Art\u003c\/p\u003e\n\u003cp\u003eVlaminck died in Rueil-la-Gadelière on 11 October 1958.\u003c\/p\u003e","published_at":"2025-03-15T06:00:11+10:00","created_at":"2025-03-05T16:53:13+10:00","vendor":"Roundabout Antiques","type":"Framed Picture","tags":["15_March","Art","March_2025","Picture"],"price":10000,"price_min":10000,"price_max":10000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46124609274084,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RA-0007873","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Enamel on Tin | Framed | copy of work by Maurice de Vlaminck","public_title":null,"options":["Default Title"],"price":10000,"weight":2000,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1a.jpg?v=1741157673","\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1b.jpg?v=1741157673","\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1c.jpg?v=1741157673","\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1d.jpg?v=1741157673"],"featured_image":"\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1a.jpg?v=1741157673","options":["Title"],"media":[{"alt":"Enamel on Tin | Framed | copy of work by Maurice de Vlaminck","id":64440399298788,"position":1,"preview_image":{"aspect_ratio":1.25,"height":1200,"width":1500,"src":"\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1a.jpg?v=1741157673"},"aspect_ratio":1.25,"height":1200,"media_type":"image","src":"\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1a.jpg?v=1741157673","width":1500},{"alt":"Enamel on Tin | Framed | copy of work by Maurice de Vlaminck","id":64440399331556,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1250,"width":1250,"src":"\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1b.jpg?v=1741157673"},"aspect_ratio":1.0,"height":1250,"media_type":"image","src":"\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1b.jpg?v=1741157673","width":1250},{"alt":"Enamel on Tin | Framed | copy of work by Maurice de Vlaminck","id":64440399364324,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1250,"width":1250,"src":"\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1c.jpg?v=1741157673"},"aspect_ratio":1.0,"height":1250,"media_type":"image","src":"\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1c.jpg?v=1741157673","width":1250},{"alt":"Enamel on Tin | Framed | copy of work by Maurice de Vlaminck","id":64440399397092,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1250,"width":1250,"src":"\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1d.jpg?v=1741157673"},"aspect_ratio":1.0,"height":1250,"media_type":"image","src":"\/\/www.roundaboutantiques.com.au\/cdn\/shop\/files\/vlaminck_enamel_1d.jpg?v=1741157673","width":1250}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eEnamel Artwork on Tin | Framed \u003cbr\u003ecopy of work by Maurice de Vlaminck\u003cbr\u003e\u003cbr\u003eThis enamel has been framed in a traditional ebonised wooden frame [that matches the piece] The frame has sustained some damage but has been tastefully repaired and will display well on your wall as it is. The Enamel itself is in excellent condition.\u003cbr\u003e\u003cbr\u003eApprox 38cms (15\") wide [frame]\u003cbr\u003eApprox 33cms (13\") tall [frame]\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEnamel is 24cms (9 1\/2\") wide and 19cms (7 1\/2\") tall\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Maurice de Vlaminck\u003c\/strong\u003e\u003cbr\u003eMaurice de Vlaminck (4 April 1876 - 11 October 1958) was a French painter. Along with André Derain and Henri Matisse, he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour. Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905.\u003c\/p\u003e\n\u003cp\u003eHe began painting in his late teens. In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou. In 1894 he married Suzanne Berly. The turning point in his life was a chance meeting on the train to Paris towards the end of his stint in the army. Vlaminck, then 23 and already active in anarchist circles in Paris, met an aspiring artist, André Derain, with whom he struck up a lifelong friendship.\u003c\/p\u003e\n\u003cp\u003eVlaminck participated in the controversial 1905 Salon d'Automne exhibition. After viewing the boldly colored canvases of Vlaminck, Henri Matisse, André Derain, Albert Marquet, Kees van Dongen, Charles Camoin, and Jean Puy, the art critic Louis Vauxcelles disparaged the painters as \"fauves\" (wild beasts), thus giving their movement the name by which it became known Fauvism.\u003c\/p\u003e\n\u003cp\u003eVlaminck's compositions show familiarity with the Impressionists, several of whom had painted in the same area in the 1870s and 1880s. After visiting a Van Gogh exhibit, he declared that he \"loved Van Gogh that day more than my own father\". From 1908 his palette grew maybe more deep and rich in colour, and the predominant influence was that of Cézanne. His later work displayed a darker palette, punctuated by heavy strokes of impasto contrasting with subtle blending and vibrant colour temperature relations.\u003c\/p\u003e\n\u003cp\u003eSome of his works are held at the Minneapolis Institute of Art\u003c\/p\u003e\n\u003cp\u003eVlaminck died in Rueil-la-Gadelière on 11 October 1958.\u003c\/p\u003e"}